The program spouts hallucinogenic wave forms that cast Coltrane into a state of euphoria. In the video, Voice Console is a pair of feminine lips on a screen (Bush's son Albert) with an eerie inhuman blackness behind them. Robbie Coltrane, best known for his work in Harry Potter as Hagrid, plays the computer junkie who leaves behind his wife and two sons to escape with the program. The video adapts the song's core plot – a person becoming addicted to a program called Voice Console deeply, emotionally attaching themselves to it to the point of separation with friends and family. Music website Consequence of Sound reviewed the video and briefly explained it: It is directed by Bush herself and stars Robbie Coltrane, Frances Barber, Noel Fielding, and the voice of her son Albert, who plays the role of the computer program. Music video Ī short film to accompany the track premiered on Kate Bush's official YouTube channel on Monday, 25 April 2011. This is not the first time Bush worked with her son he makes a brief spoken word appearance on her previous album Aerial on Disc 2, "A Sky of Honey". For the Director's Cut version, Bush was able to present it as a solitary computerized voice, as was her original intention. For the original recording, the chorus vocals were distorted using a very basic vocoder, and needed backing vocals just to make the words audible. The later version features the voice of her son, Albert, on the chorus, performing the role of the computer. The Director's Cut version of the song is almost two minutes longer than the original recording on The Sensual World, and features re-recorded vocals and a harmonica solo at the end. People really build up heavy relationships with their computers!" Song information And this is the idea of someone who spends all their time with their computer and, like a lot of people, they spend an obsessive amount of time with their computer. You know, all day, you're on the phone, all night you're watching telly. We spend all day with machines all night with machines. well, about the modern situation, where more and more people are having less contact with human beings. Nature 381, 409–412 (1996).Kate Bush explained that the song is about how people are replacing human relationships with technology: in The Core-Mantle Boundary Region (eds Gurnis, M. Murakami, M., Hirose, K., Kawamura, K., Sata, N. However, laboratory experiments and theory are finally coming together to bring this region into sharper focus. Part of the problem is that the extreme conditions in D″ - pressures up to 135 gigapascals and temperatures probably ranging between 2,000 K and 4,000 K - are difficult to reach in the laboratory. Until recently, however, studies of the region's mineral properties at high pressures and temperatures had been unable to provide satisfying explanations for much of this complexity. Investigations of this region largely depend on interpreting the behaviour of seismic waves, which have shown that it is highly complex. The lowermost 250 km or so of Earth's mantle, known for historical reasons as D″, is comparatively small in volume but potentially holds the key to understanding a host of geophysical phenomena - among them the formation of plumes in the mantle, interactions between core and mantle, and the ultimate fate of subducting slabs of crust that are driven into the interior by tectonic forces.
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